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See Mask for a fuller list of masks. Balaclava (helmet) or ski mask; Battoulah; Bongrace – a shade for the face, sometimes part of a hood, or a separate garment worn with a hood or coif; Tudor/Elizabethan; Boushiya; Burqa, also burka, burga, burqua; Diving mask; Full-face diving mask; Gas mask; Orthodontic facemask
The company produced a George H. W. Bush mask in 1987, anticipating Bush's election as president by a year. [16] In 1979, Ben Cooper, Inc., was still the largest Halloween costume company in the U.S. [ 3 ] That same year, the firm issued its first costume based on a character in an R-rated motion picture, the creature from the film Alien .
Intermediate helmet ("close burgonet") with the peak, crest and falling buffe of the burgonet, combined with the hinged bevor of a close helmet.. The burgonet helmet is characterised by a skull with a large fixed or hinged peak projecting above the face-opening, and usually an integral, keel-like, crest or comb running from front to rear.
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Made of steel, these bowl-shaped helmets were designed as either low and flat, or high and pointed. They sometimes contained a spike socket at the top of the helmet, which resembles a spearhead with a cross-like section. Two or three plume holders were attached on either side of the skull, used to mount feathers from birds such as the egret. [5 ...
The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts. Originating in the theatre of ancient Greece , the masks were said to help audience members far from the stage to understand what emotions the characters were feeling.
This metal device featured a plate that sat below the victim's jaw, which was connected by a frame to the head cap. As the torturer slowly twisted the handle, the gap between the head cap and plate decreased, crushing the skull, including the teeth, mandible and facial bones, and ultimately inducing death. Even if the torturer stopped before ...
A tzompantli, illustrated in the 16th-century Aztec manuscript, the Durán Codex. A tzompantli (Nahuatl pronunciation: [t͡somˈpant͡ɬi]) or skull rack was a type of wooden rack or palisade documented in several Mesoamerican civilizations, which was used for the public display of human skulls, typically those of war captives or other sacrificial victims.