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Kamancheh. The kamancheh (also kamānche or kamāncha) (Persian: کمانچه, Azerbaijani: kamança, Armenian: քամանչա, Kurdish: کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, [1] Azerbaijani, [2] Armenian, [3] Kurdish, [4] Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument.
Mi-composé is a tuning commonly used for rhythm guitar in African popular music forms such as soukous and makossa. [61] It is similar to the standard guitar tuning, except that the d string is raised an entire octave. This is accomplished by replacing the d string with an e' string and tuning it to d'.
In each regular tuning, all string successions have the same interval; all-fifths tuning has perfect fifths between all string successions. All-fifths tuning. Among guitar tunings, all-fifths tuning refers to the set of tunings in which each interval between consecutive open strings is a perfect fifth.
Pythagorean tuning was a system of just intonation that tuned every note in a scale from a progression of pure perfect fifths. This was quite suitable for much of the harmonic practice until then ( See: Quartal harmony ), but in the Renaissance, musicians wished to make much more use of Tertian harmony .
Alexander J. Ellis refers to a tuning of seventeen tones based on perfect fourths and fifths as the Arabic scale. [2] In the thirteenth century, Middle-Eastern musician Safi al-Din Urmawi developed a theoretical system of seventeen tones to describe Arabic and Persian music, although the tones were not equally spaced.
Man turning tuning pegs to tune guitar Tuning of Sébastien Érard harp using Korg OT-120 Wide 8 Octave Orchestral Digital Tuner. Tuning is the process of adjusting the pitch of one or many tones from musical instruments to establish typical intervals between these tones. Tuning is usually based on a fixed reference, such as A = 440 Hz.