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Art historian Dawn Ades writes, "Far from being inferior, or purely decorative, crafts like textiles or ceramics, have always had the possibility of being the bearers of vital knowledge, beliefs and myths." [51] Recognizable art markets between Natives and non-Natives emerged upon contact, but the 1820–1840s were a highly prolific time.
Underwater Panther, George Gustav Heye Center, National Museum of the American Indian An underwater panther (Ojibwe: Mishipeshu (syllabic: ᒥᔑᐯᔓ) or Mishibijiw (ᒥᔑᐱᒋᐤ) [mɪʃʃɪbɪʑɪw]), is one of the most important of several mythical water beings among many Indigenous peoples of the Northeastern Woodlands and Great Lakes region, particularly among the Anishinaabe.
The "Payiihsa" often bear large feet with 4 or 6 toes and are referenced frequently in pottery and rock art symbolism along with the symbolism of the underwater panther. (To complicate matters, the term "Piasa" was applied in the 1970s to any symbolism matching the "protean super theme" of underwater panthers.)
Tribal art is the visual arts and material culture of indigenous peoples.Also known as non-Western art or ethnographic art, or, controversially, primitive art, [1] tribal arts have historically been collected by Western anthropologists, private collectors, and museums, particularly ethnographic and natural history museums.
Godna, also known as Khoda, is an ancient traditional form of tattoo art originating from the tribal communities of Northern and Central India. [1] [2] These tattoos are characterized by intricate designs and vivid colors, often depicting elements of nature, mythology, and daily life. [3] [4]
The head was traded as a "curio" and a fascination with the heads began to grow. This continued with mokomokai heads being traded for muskets and the subsequent Musket Wars. During this period of social destabilisation, toi moko became commercial trade items, which could be sold as curios, artworks and museum specimens that fetched high prices ...
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
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