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In music, a sequence is the restatement of a motif or longer melodic (or harmonic) passage at a higher or lower pitch in the same voice. [1] It is one of the most common and simple methods of elaborating a melody in eighteenth and nineteenth century classical music [1] (Classical period and Romantic music). Characteristics of sequences: [1]
Print/export Download as PDF; ... The following is a list of commonly used chord progressions in music. Code Major: Major: Minor: Minor: Atonal: Atonal: Bitonal ...
Play ⓘ Melodic sequence on the lines "Send her victorious," and "Happy and glorious," from "God Save the Queen" Play ⓘ In music and jazz improvisation, a melodic pattern (or motive) is a cell or germ serving as the basis for repetitive pattern. It is a figure that can be used with any scale.
In many styles of popular and traditional music, chord progressions are expressed using the name and "quality" of the chords. For example, the previously mentioned chord progression, in the key of E ♭ major, would be written as E ♭ major–B ♭ major–C minor–A ♭ major in a fake book or lead sheet.
The music was passed down through oral tradition. It was first written down by W. C. Handy, an African American composer and band leader. Its popularity led to the creation of "race records" and the popularity of blues singers like Bessie Smith and Ma Rainey. [3] The style of music heard on race records was later called "rhythm and blues" (R ...
In music, a rewrite rule is a recursive generative grammar, which creates a chord progression from another. Steedman (1984) [ 1 ] has proposed a set of recursive "rewrite rules" which generate all well-formed transformations of jazz, basic I–IV–I–V–I twelve-bar blues chord sequences, and, slightly modified, non-twelve-bar blues I–IV ...
Example 2 (above) is effectively a prolongation of the dominant seventh chord G 7 which utilises chromatic voice movement. The bass voice descends chromatically while the upper voice ascends chromatically, and the inner voices remain stationary on the notes of D and F. Eventually the chromatic movement results in a new inversion of the dominant ...
For example, in the Minuet in Haydn's String Quartet op. 76 no. 6, the Minuet is in standard binary form (section A and B) while the trio is in free form and not in two repeated sections. Haydn labeled the B section "Alternative", a label used in some Baroque pieces (though most such pieces were in proper compound ternary form).