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A storey pole (or story pole, storey rod, [1] story stick, [2] jury stick, [3] scantling, [4] scantillon [5]) is a length of narrow board usually cut to the height of one storey. [6] It is used as a layout tool for any kind of repeated work in carpentry including stair-building , framing , timber framing , siding , brickwork , and setting tiles.
A sill plate or sole plate in construction and architecture is the bottom horizontal member of a wall or building to which vertical members are attached. The word "plate" is typically omitted in America and carpenters speak simply of the "sill". Other names are rat sill, ground plate, ground sill, groundsel, night plate, and midnight sill. [1 ...
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Plank and board are not consistently defined in history. Sometimes these terms are used synonymously. Board means a piece of lumber (timber) 1 ⁄ 2 inch (1.3 cm) to 1.5 inches (3.8 cm) thick and more than 4 inches (10 cm) wide. Plank generally means a piece of lumber (timber) rectangular in shape and thicker than a board.
A water table is a projection of lower masonry on the outside of a wall, slightly above the ground, or at the top of a wainscot section of a wall (in this case also known as a sill). It is both a functional and architectural feature that consists of a projection that deflects water running down the face of a building away from lower courses or ...
Whilst in most simple dolmens the blocking stone (Verschlussstein) of the entrance side was replaced by a threshold stone of varying height, the entrance to extended dolmens and great dolmens was narrowed axially or coaxially usually to about half the width of the chamber and the lower threshold stone marked the transition in the open doorway ...
In geology, a sill is a tabular sheet intrusion that has intruded between older layers of sedimentary rock, beds of volcanic lava or tuff, or along the direction of foliation in metamorphic rock. A sill is a concordant intrusive sheet , meaning that it does not cut across preexisting rock beds.
The rock-cut excavated cave temples were more durable, and the non-load-bearing carved stone lintels allowed creative ornamental uses of classical Buddhist elements. Highly skilled artisans were able to simulate the look of wood, imitating the nuances of a wooden structure and the wood grain in excavating cave temples from monolithic rock. [ 4 ]