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Flora, the goddess of flowers and the season of spring. In the same room was Botticelli's Pallas and the Centaur, and also a large tondo with the Virgin and Child. The tondo is now unidentified, but is a type of painting especially associated with Botticelli. This was given the highest value of the three paintings, at 180 lire.
This work is thought to depict Saskia as Flora, Roman goddess of spring and flowers. She is standing in a grotto, looking towards the viewer, swathed in an extravagant and exotic costume of silk and satin with silver embroidery, with long hanging sleeves and a blue mantle, and wears a large pearl earring.
Flora (Latin: Flōra) is a Roman goddess of flowers and spring. [1] She was one of the twelve deities of traditional Roman religion who had their own flamen, the Floralis, one of the flamines minores. Her association with spring gave her particular importance at the coming of springtime, as did her role as goddess of youth. [2]
Greek icon of the Theotokos, Life-giving Spring. The Mother of God of the Life-giving Spring or Life-giving Font (Ancient Greek: Ζωοδόχος Πηγή, romanized: Zōodóchos Pēgḗ, modern pronunciation: [zo.oˈðoxos piˈʝi]; Russian: Живоно́сный Исто́чник, romanized: Zhivonósny Istóchnik, IPA: [ʐɨvɐˈnosnɨj ɪˈstotɕnʲɪk]) is an epithet of the Holy ...
In Christian iconography plants appear mainly as attributes on the pictures of Christ or the Virgin Mary. Christological plants are among others the vine, the columbine, the carnation and the flowering cross, which grows out of an acanthus plant surrounded by tendrils. Mariological symbols include the rose, lily, olive, cedar, cypress and palm ...
Konohanasakuya-hime is the goddess of Mount Fuji and all volcanoes in Japanese mythology; she is also the blossom-princess and symbol of delicate earthly life. [1] [2] She is often considered an avatar of Japanese life, especially since her symbol is the sakura (cherry blossom).
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The boy Buddha appearing within a lotus. Crimson and gilded wood, Trần-Hồ dynasty, Vietnam, 14th–15th century. In the Aṅguttara Nikāya, the Buddha compares himself to a lotus (padma in Sanskrit, in Pali, paduma), [3] saying that the lotus flower rises from the muddy water unstained, as he rises from this world, free from the defilements taught in the specific sutta.