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1951 was the year of the Festival of Britain: Scott was one of the sixty artists invited by the Arts Council to exhibit as part of the celebrations. Around this time, Scott's work moved closer to non-figuration and his first one-man show at the Hanover Gallery in London, which opened in June 1953, included a number of, loosely, abstract paintings.
Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
Modern Inuit art began in the late 1940s, when with the encouragement of the Canadian government they began to produce prints and serpentine sculptures for sale in the south. Greenlandic Inuit have a unique textile tradition intregrating skin-sewing, furs, and appliqué of small pieces of brightly dyed marine mammal organs in mosaic designs ...
Sandra Betty Blow RA (14 September 1925 – 22 August 2006) was an English abstract painter and one of the pioneers of the British abstract movement of the 1950s. Blow's works are characteristically large scale, colourful abstract collages made from discarded materials.
Cowichan artist Edward Joe, who has adapted the Coast Salish art form into fine jewelry and prints, says "(Coast) Salish art has as smooth slowing motion intended to create a calm mood. The stories, legends, and myths are depicted in many of my art pieces. Animals from the land, sea, and sky are designed in a playful manner." [11]
The History of Painting in Canada: Toward A People's Art Toronto, New Canada Publications, 1974. ISBN 0-919600-12-3. Morris, Jerrold. 100 Years of Canadian Drawings Toronto, Methuen, 1980. ISBN 0-458-94570-6. Murray, Joan (1999). Canadian Art in the Twentieth Century. Toronto: Dundurn. OCLC 260193722. Nasgaard, Roald (2008). Abstract Painting ...
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