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Vanitas by Antonio de Pereda. Vanitas (Latin for 'vanity', in this context meaning pointlessness, or futility, not to be confused with the other definition of vanity) is a genre of memento mori symbolizing the transience of life, the futility of pleasure, and the certainty of death, and thus the vanity of ambition and all worldly desires.
Vanitas, also known as Allegory of Human Life or Still Life with a Skull, is an oil on panel painting attributed to Philippe de Champaigne, from 1646. It is held in the musée de Tessé [ fr ] , in Le Mans , which bought it at a public auction in 1884 .
As suggested by the title, the work is considered within the genre of "vanitas", a category of art showing death and decay. The work includes non-traditional materials, a trend in 20th-century art. It "stands in the Surrealist tradition of the uncanny, of the informe, disturbing the distinctions, by which we categorize experience". [3]
The work is a still life in the genre of vanitas, painted with oils on oak panel, and measuring 39.2 by 50.7 cm (15.4 by 20.0 in). [1] Like most vanitas paintings, it contains deep religious overtones and was created to both remind viewers of their mortality (a memento mori) and to indicate the transient nature of material objects. [3]
Marilyn (Vanitas) is an oil over acrylic on canvas painting by Audrey Flack executed in 1977. It has the dimensions of 96 x 96 inches. It has the dimensions of 96 x 96 inches. This contemporary piece is part of a collection Flack compiled titled Vanitas.
Vanitas still life with a poem on the death of Charles I. Godfriedt van Bochoutt [1] (fl 1659–1666) was a Flemish still painter who was active in his native Bruges and Rotterdam. The limited body of work attributed to him ranges from fruit still lifes, hunting still lifes, vanitas still lifes and trompe l'oeil paintings. [2]
The objects usually imply a vanitas meaning as they evoke the transience and emptiness of wealth and earthly glory and point to the inevitable extinction of each human life. Vanitas still life. An example is the Vanitas still life at the Royal Collection Trust. It includes several objects that invoke the vanitas meaning: a skull, a glass orb ...
The painting combines classical and medieval themes to present an allegory of the vagaries of life, a vanitas, with individual lives elevated or cast down as the wheel of fortune turns. Burne-Jones commented: "My wheel of Fortune is a true-to-life image; it comes to fetch each of us in turn, then it crushes us."