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The following other wikis use this file: Usage on en.wikisource.org Index:Æsop's fables- (IA aesopfables00aesoiala).pdf; Page:Æsop's fables- (IA aesopfables00aesoiala).pdf/1
Rosemary Wells, reviewing Aesop's Fables wrote "Pinkney's Aesop is a visual treat. These are beautiful illustrations, combining pencil, colored pencil and watercolor with a light-as-air touch. .. The book is handsomely designed, in a large format, and fine paper sets off the illustrations to their best advantage." [1]
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller who lived in ancient Greece between 620 and 564 BCE. Of varied and unclear origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers ...
The Honest Woodcutter, also known as Mercury and the Woodman and The Golden Axe, is one of Aesop's Fables, numbered 173 in the Perry Index. It serves as a cautionary tale on the need for cultivating honesty, even at the price of self-interest. It is also classified as Aarne-Thompson 729: The Axe falls into the Stream. [2]
This are a list of those fables attributed to the ancient Greek storyteller, Aesop, or stories about him, which have been in many Wikipedia articles. Many hundreds of others have been collected his creation of fables over the centuries, as described on the Aesopica website. [1]
Three hundred Aesop's fables Frontispiece illustration of The Arabian Nights' Entertainments. George Fyler Townsend (1814–1900) was the British translator of the standard English edition of Aesop's Fables. He was the son of George Townsend and was educated at Harrow School and Trinity College, Cambridge-DCL 1876. He was Vicar of Barntingham ...
The family welcomes the frozen snake, a woodcut by Ernest Griset. The Farmer and the Viper is one of Aesop's Fables, numbered 176 in the Perry Index. [1] It has the moral that kindness to evil will be met by betrayal and is the source of the idiom "to nourish a viper in one's bosom".
The story was also made the subject of one of La Fontaine's Fables (Le loup et le chien, I.5), in which Master Wolf, on learning the forfeit necessary, "took to its heels and is running yet". [6] In modern times the text has been set for piano and high voice by the French composer Isabelle Aboulker .