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The song itself was written in one day with the help of Francis "Eg" White, a British musician, singer, and songwriter, and was immediately sent off to Adele's record company. [6] "Chasing Pavements" is a part of Adele's album 19, and was the second single release from the album. The song was written in collaboration with Franics "Eg" White ...
The song's original music video, directed by Tim Cash, was shot in Oregon on a small budget. [5] A second video, directed by Scorpio 21, was shot at Red Bones Café in Saint Andrew in January 2015. [18] As the song began gaining worldwide success, a new music video for the Jaehn remix was commissioned. [5]
The song had received mixed to positive reviews from music critics who praised the storyline of the song. The music video, directed by Alex Topaller and Dan Shapiro (the team known as "Aggressive"), debuted on May 19, 2008. [7] As of March 29, 2012, it has remained in the iTunes Top 200 Alternative Music Video charts since its release. [8]
"Walking on the Chinese Wall" is a song by American singer Philip Bailey released as the title track and third single from his 1984 studio album Chinese Wall produced by Phil Collins. The song features Collins on drums and background vocals and was later released by Collins on his 2018 Plays Well with Others box set.
"We Are the People" is a song by Australian electronic music duo Empire of the Sun, released as the second single from their debut studio album, Walking on a Dream (2008). It was released in Australia on 20 September 2008 [ 1 ] and debuted at number 85 on the ARIA Singles Chart before peaking at number 24 on 12 January 2009.
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"Walkin' on the Sun" is a song by American rock band Smash Mouth from their first album, Fush Yu Mang (1997). Smash Mouth released it as their debut single in June 1997, the song was Smash Mouth's first major single, reaching No. 1 on the US Billboard Modern Rock Tracks chart and No. 2 on the Billboard Hot 100 Airplay chart.
It peaked at No. 13 on the UK Singles Chart in 1996, going one place higher than the original release, with the dance mixes peaking at No. 1 on the UK Dance Singles Chart. The Martin Luther King Jr. sample introduced by Eddie Gordon into the track was to emphasize the full independent meaning of the song as he understood it. [citation needed]