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The Musical Offering (German: Musikalisches Opfer or Das Musikalische Opfer), BWV 1079, is a collection of keyboard canons and fugues and other pieces of music by Johann Sebastian Bach, all based on a single musical theme given to him by Frederick the Great (King Frederick II of Prussia), to whom they are dedicated. They were published in ...
The dating of BWV 1027–1028 is explained in detail by Jones (2013) in his analysis of Bach's instrumental works, including his flute sonata in E major , the triple concerto in A minor for flute, violin and harpsichord and the trio sonata for flute, violin and continuo from The Musical Offering (BWV 1079). [3]
Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080; For instance, the Prelude and Fugue in E-flat major now became BWV 552, situated in the range of the works for organ.
Trio sonatas: for organ (BWV 525–530); for violin and harpsichord (BWV 1014–1019); for viola da gamba and harpsichord (BWV 1027–1029); for flute and harpsichord (BWV 1030, 1032); for flute, violin and continuo (Sonata sopr'il Soggetto Realeincluded in The Musical Offering) Heinrich Ignaz Franz Biber. Rosary Sonatas; George Frideric Handel
Canons, Musical Offering, Art of Fugue (3 volumes) IX. Addenda (approximately 7 volumes) Supplement: Bach Documents (9 volumes) Each Score volume contains a preface and a selection of facsimiles of its sources. In the Score volumes variants and fragments of compositions are published along with complete works.
This article lists the fugal works of Johann Sebastian Bach, defined here as the fugues, fughettas, and canons, as well as other works containing fugal expositions but not denoted as fugues, such as some choral sections of the Mass in B minor, the St Matthew Passion, the St John Passion, and the cantatas.
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An example of a crab canon. [1] Play ⓘ Requiescat Infini, an example of a crab canon (musical palindrome) composition.. A crab canon (also known by the Latin form of the name, canon cancrizans; as well as retrograde canon, canon per recte et retro or canon per rectus et inversus) [2] is an arrangement of two musical lines that are complementary and backward.