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This led to the growth of synthpop, by which, particularly through their adoption by the New Romantic movement, synthesizers came to dominate the pop and rock music of the early 80s. [48] The early sound of synthpop was "eerie, sterile, and vaguely menacing", but more commercially orientated bands like Duran Duran adopted dance beats to produce ...
Synthwave (also called outrun, retrowave, or futuresynth [5]) is an electronic music microgenre that is based predominantly on the music associated with the film soundtracks of action films, science fiction films, and horror films of the 1980s. [2]
Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. [30] According to Simon Reynolds, new wave music had a twitchy, agitated feel. New wave musicians often played choppy rhythm guitars with fast tempos; keyboards, and stop ...
Despite synth-pop's origins in the late 1970s among new wave bands like Tubeway Army and Devo, British journalists and music critics largely abandoned the term "new wave" in the early 1980s. [76] This was in part due to the rise of new artists unaffiliated with the preceding punk/new wave era, as well as aesthetic changes associated with synth ...
The success of rock music and bands in Japan started a new genre, known as Group Sounds, which was popular in the latter half of the decade. In South America, genres such as bossa nova, Nueva canción and Nueva ola started to rise. Rock music began leaving its mark, and achieved success in the 1960s.
Merengue music would hit its golden years during the 1980s starting in the late 70s with acts such as Wilfrido Vargas, Johnny Ventura, and Fernando Villalona. Their orchestras would also churn future solo acts such as Eddy Herrera and Rubby Perez. By the end of the decade, La Coco Band would reinvent merengue with a more comedic style.
Computer and synthesizer technology joining together changed the way music is made and is one of the fastest-changing aspects of music technology today. Max Mathews, an acoustic researcher [9] at Bell Telephone Laboratories' Acoustic and Behavioural Research Department, is responsible for some of the first digital music technology in the 1950s.
During the 1970s, a similar style of country rock called Southern rock (fusing rock, country and blues music, and focusing on electric guitars and vocals) was enjoying popularity with country audiences, thanks to such non-country acts as Lynyrd Skynyrd, The Allman Brothers Band, Atlanta Rhythm Section and The Marshall Tucker Band.