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Locked hands style is a technique of chord voicing for the piano. Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison.
Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.
Steve Nathan – keyboards, piano, Hammond B-3 organ; Michael Rhodes – bass guitar; Matt Rollings – piano, Hammond B-3 organ; Brent Rowan – electric guitar; John Wesley Ryles – background vocals; Leslie Satcher – background vocals; Patrick Swayze – background vocals on "I Did My Part" Randy Travis – lead vocals; Dan Tyminski ...
"To Be Alone with You" was the first song Dylan recorded for Nashville Skyline, on February 13, 1969. [2] It was one of four songs Dylan had written for the album before the recording sessions, the others being "Lay Lady Lay", "I Threw It All Away" and "One More Night". [2]
In 2017, Billboard ranked "You're Not Alone" number 64 in their list of "The 100 Greatest Pop Songs of 1997", praising it as "one of the year's most striking pop singles, with club energy and trip-hop atmospherics, based around Olive's soulful siren call and synths that streak across the production like an electrical storm."
Their version is a power ballad [3] that begins with a piano line and a subdued vocal from Ann Wilson, leading to a synth-led hard-rock chorus. Tom Kelly, the song's coauthor and himself an experienced session singer, provided the high harmony parts on the record. [4] "Alone" reached No. 1 on both the US Billboard Hot 100 and the US CashboxTop 100.
Alone: Ballads for Solo Piano is a 2007 studio album by the jazz pianist André Previn. [1] Alone peaked at number 8 on the Billboard Top Jazz Albums chart. [2] Reception
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.