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Meissen porcelain or Meissen china was the first European hard-paste porcelain. Early experiments were done in 1708 by Ehrenfried Walther von Tschirnhaus . After his death that October, Johann Friedrich Böttger continued von Tschirnhaus's work and brought this type of porcelain to the market, financed by Augustus the Strong, King of Poland and ...
Wallendorfer Porzellan or Wallendorf Porcelain is a porcelain manufacturing company which has been in operation since 1764 in Lichte (Wallendorf) in the Thuringian Highlands. Wallendorf is one of the oldest porcelain trademarks in Germany and the whole of Europe.
Franz Nagy had owned the land since 1925 that the Munich-Allach facility was built on. With his business partner, the porcelain artist Prof. Karl Diebitsch, [3] he began the production of porcelain art. The porcelain factory Porzellan Manufaktur Allach was established as a private company in 1935 in the small town of Allach, near Munich, Germany.
One strength is the collection of traditional Chinese and Japanese porcelain acquired by Augustus the Strong. Above all this includes blue-and-white porcelain from the Ming and Qing Dynasties, in particular the "Dragoon Vases" acquired by Augustus from King Frederick William I in exchange for a regiment of dragoons.
The Sächsische Porzellan-Manufaktur Dresden GmbH (Saxon Porcelain Manufactory in Dresden Ltd), generally known in English as Dresden Porcelain (though that may also mean the much older and better-known Meissen porcelain), was a German company for the production of decorative and luxury porcelain.
Pages in category "German porcelain" The following 31 pages are in this category, out of 31 total. This list may not reflect recent changes. A. Allach (porcelain)
The factory had its origins in an official request made 8 September 1760 by the porcelain maker Georg Heinrich Macheleid (1723 -1801). Macheleid had long worked in the glass manufactory at Glücksthal and had gained the arcana of porcelain-making by his own researches, apparently independent of Ehrenfried Walther von Tschirnhaus and Johann Friedrich Böttger, the ceramists at Meissen.
The Ludwigsburg body was much "greyer and smokier in tone" than other German factories. [3] The Encyclopédie Méthodique describes Ludwigsburg porcelain as resisting sudden change in temperature and fire, but that the glazing and desired white color of the product was inferior to Frankenthal porcelain.