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Wigwag (more formally, aerial telegraphy) is an historical form of flag signaling that passes messages by waving a single flag. It differs from flag semaphore in that it uses one flag rather than two, and the symbols for each letter are represented by the motion of the flag rather than its position.
Philippine literature in English has its roots in the efforts of the United States, then engaged in a war with Filipino nationalist forces at the end of the 19th century. By 1901, public education was institutionalized in the Philippines , with English serving as the medium of instruction.
Compared to the more rigid literature of the Spanish era, the American period saw the popularity of the "free verse" in the Philippines, allowing for flexible poetry, prose, and other wordcraft. [8] The introduction of the English language was also of equal importance, as it became one of the most common languages that Filipino writers would ...
With an introduction written by Zeus A. Salazar, Agpalo’s book is a “major contribution” to Filipinology that covers important areas of political science in the Philippines, including political dynamics, comparative government, comparative politics, Philippine government, Philippine politics, political philosophy, political theory ...
Wigwag (railroad), a type of railroad grade crossing signal; Wigwag (flag signals), a type of flag signal; Wig-wag (sound stage), a red light indicating filming is in progress; Wig-wag (automobile), headlight flasher; Wig wag (truck braking systems), a mechanical arm indicating low brake pressure
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Philippine folk literature refers to the traditional oral literature of the Filipino people. Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups , as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
Among the possible inspirations of publishing Tagalog romance paperback novels were the Mills & Boon and Harlequin Romance love story pocketbooks. [4] The actual idea of publishing Tagalog romance paperbacks in the Philippines was conceptualized by Benjie Ocampo, the proprietor of Books for Pleasure, Inc., the company that carried the English-language Mills & Boon pocketbooks line in the country.