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In this connection it is believed that kenjutsu, which deals with the art of swordsmanship as it is performed with an unsheathed sword, is the preceding form of iaijutsu. [2] Iaijutsu is extant today, but there also exists a modern form for drawing the Japanese sword called iaido, a term which first appeared in 1932.
Iaidō (居合道), abbreviated iai (居合), [3] is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks. [ 4 ] Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya ), striking or cutting an opponent ...
Battōjutsu (抜刀術, battō-jutsu, 'craft of drawing out the sword') is an old term for iaijutsu (居合術). Battōjutsu is often used interchangeably with the terms iaijutsu and battō (抜刀). [1] Generally, battōjutsu is practiced as a part of a classical ryū and is closely integrated with the tradition of kenjutsu.
Battōjutsu (抜刀術:ばっとうじゅつ), literally meaning "the art/science of drawing a sword", and developed in the mid-15th century, is the aspect of swordsmanship focused upon the efficient draw of the sword, cutting down one's enemy, and returning the sword to its scabbard (saya; 鞘).
Tenshinsho Jigen Ryu Hyōhō (天眞正自源流兵法) is a koryu (ancient martial art) specializing in iaijutsu (quick-draw sword art) and kenjutsu (swordsmanship) founded by Tose Yosazaemon Osamune around the Eiroku Era (1558- 1570). [1]
Jigen-ryū (示現流 lit: revealed reality style) is a traditional school of Japanese martial arts founded in the late 16th century by Tōgō Chūi (1560–1643), a.k.a. Tōgō Shigekata, in Satsuma Province, now Kagoshima prefecture, Kyushu, Japan. [1]
For some artists, there is a calisthenic logic: just as an athlete warms up before exercising or participating in sports, artists use gesture drawing to prepare themselves mentally and physically for a figure drawing session. The fast pace of gesture poses helps an artist "loosen up" to avoid a stiff drawing style.
The artist's kinesthetic response to the pose and how this is conveyed through a choice of art media is a more advanced concern. Since the purpose of figure drawing classes is to learn how to draw humans of all kinds, male and female models of all ages, shapes, and ethnicities are usually sought, rather than selecting only beautiful models or ...