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[15] While discussing the importance of establishing the tone of voice at the beginning of fiction, Judy Morris notes that L'Engle's A Wrinkle in Time opens with "Snoopy's signature phrase". [16] Chapter LXV of Alexandre Dumas' novel, The Three Musketeers (Les Trois Mousquetaires, 1844) begins with the phrase: "C'était une nuit orageuse et ...
It’ll begin to set a positive tone!!!” Sam says to accept the day for what it is. “I have days like this. Where everything goes wrong or everything ends up being the long arduous process. I ...
Dark fantasy, also called fantasy horror, is a subgenre of fantasy literary, artistic, and cinematic works that incorporates disturbing and frightening themes. The term is ambiguously used to describe stories that combine horror elements with one or other of the standard formulas of fantasy.
The use of the term in psychology entered English with the translation from German ("Valenz") in 1935 of works of Kurt Lewin.The original German word suggests "binding", and is commonly used in a grammatical context to describe the ability of one word to semantically and syntactically link another, especially the ability of a verb to require a number of additional terms (e.g. subject and ...
The Gloomy Day (Dutch: De sombere dag) is a panel painting in oils by Pieter Bruegel the Elder, painted in 1565. It is one in a series of six works, five of which are still extant, that depict different times of the year. The painting is now in the Kunsthistorisches Museum, Vienna, Austria.
Smith formed a band in Crawley with Notre Dame Middle School friends including drummer Lol Tolhurst and bassist Michael Dempsey in the mid-’70s to cover their favorite Bowie and Hendrix songs.
Small Town Horror, by Ronald Malfi. The title of Malfi’s latest novel sets expectations of Stephen King or Norman Rockwell’s Americana. It turns out to be much stranger than that.
The title, "Childe Roland to the Dark Tower Came", which forms the last words of the poem, is a line from William Shakespeare's play King Lear (ca. 1607). In the play, Gloucester's son, Edgar, lends credence to his disguise as Tom o' Bedlam by talking nonsense, of which this is a part: