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A Brief Introduction to a Comparative Study of Greek and Indian Aesthetics and Poetics, Calcutta: Sen Ray & Co., 1954; Sen, R. K., Nature of Aesthetic Enjoyment in Greek and Indian Analyses, Indian Aesthetics and Art Activity, Simla: Indian Institute of Advanced Study, 1968
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[[Category:Indian cinema templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Indian cinema templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
Download QR code; Print/export Download as PDF; Printable version; In other projects Wikidata item; ... South Indian Neolithic 3000 – 1000 BCE;
Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts.
The theory of rasas forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, Kathakali, Kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, and others. [ 8 ] In Indian classical music , each raga is an inspired creation for a specific mood, where the musician or ensemble creates the rasa in the listener ...