Ads
related to: rice bowl vector art black and white horse
Search results
Results From The WOW.Com Content Network
Bowls (1916) by Paul Strand Bowls , also known as Abstraction, Bowls , is a black and white photograph taken by Paul Strand in 1916. The photograph has elements of cubism and abstractionism , and exemplifies his style at the time.
Sam Savitt (March 22, 1917 – December 25, 2000) was an equine artist, author, and teacher, as well as an illustrator of over 130 books, in addition to 16 that he wrote. He was designated the official illustrator of the United States Equestrian Team, and was a founding member of the American Academy of Equine Art. [1]
The schoolmaster Ichabod Crane is fleeing on a white horse, pursued by the Headless Horseman on a black horse. In one hand, the Headless Horseman is holding a pumpkin, which he is preparing to throw at Crane. Visible in the background is the Old Dutch Church of Sleepy Hollow and the adjacent Sleepy Hollow Cemetery, and the full moon.
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
Black Gold (1957) – about the horse Black Gold; Muley-Ears, Nobody's Dog (1959) All About Horses, with drawings by Wesley Dennis and photos (1962) Five O'Clock Charlie (1962) Stormy, Misty's Foal (1963) Portfolio of Horse Paintings, with commentary by Henry (1964) – "Published in 1952 under title: Portfolio of horses." LCCN 64-22279
"Night-Shining White" (Chinese: 照夜白圖) is a monochrome ink-on-paper painting by the Chinese artist Han Gan. It is an example of Tang dynasty painting, created in the middle of the 8th century (circa 750). The work depicts a cavalry horse owned by the Emperor Xuanzong (reign 712–56) of the Tang dynasty, tethered to a post. It is ...
Rice was born in Conshohocken, Pennsylvania in 1877 and grew up in Pottstown.She studied at the School of Industrial Art of the Pennsylvania Museum and studied there for three years from 1894 before going on to the Pennsylvania Academy of the Fine Arts [2] where she studied sculpture and life drawing with Charles Grafly, William Merritt Chase and Thomas Anshutz.
In modern usage in British English, skewbald and piebald (black and white) horses are collectively referred to as coloured, while in North American English, the term pinto is used to describe the colour pattern. The colour of the horse's skin underneath its coat alternates between dark or pink, depending on the dark or white overlying hair colour.