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Synth1 is the all-time most downloaded VST plug-in on KVR Audio, [13] and was ranked number 5 on MusicRadar's list of "The 27 best free VST plug-ins in the world today". [14] It has over 25 thousand free patches to download online. Because Synth1's versatility, there are a wide variety of patches available.
Development of the BespokeSynth software was started in 2011, when Ryan Challinor wanted to learn more about creating music, but didn't want to learn "the intricacies of an existing DAW". [5] In 2016, Ryan Challinor released the source code on GitHub under the terms of the GNU General Public License .
The Korg Triton is a music workstation synthesizer, featuring digital sampling and sequencing, released in 1999. [1] [2] [3] It uses Korg's "HI (Hyper Integrated) Synthesis" system and was eventually available in several model variants with numerous upgrade options.
LMMS (formerly Linux MultiMedia Studio [6]) is a digital audio workstation application program.It allows music to be produced by arranging samples, synthesizing sounds, entering notes via computer keyboard or mouse (or other pointing device) or by playing on a MIDI keyboard, and combining the features of trackers and sequencers.
The Access Virus is a virtual analog synthesizer made by the German company Access Music GmbH. [1] It was first produced in 1997 and has since been upgraded frequently, with the company releasing new models about every two years. Early models include the Virus A, Virus B, and Virus C series, each available in various hardware configurations.
Massive is a commercial wavetable software synthesizer plugin manufactured by Native Instruments for use in professional audio production. It utilizes several wavetables and oscillators in the creation of synthetic timbres. The software can be used as a VST plugin within a digital audio workstation, or as a standalone program
Yoshimi is an open-source software synthesizer for Linux. [2] [3] [4] It contains three synthesis engines, using additive, subtractive and wavetable synthesis (AddSynth, SubSynth, and PADSynth, respectively).
Korg's chief engineer, Junichi Ikeuchi, led the hardware engineering design of the M1. [4] Whereas previous synthesizers had shipped with sounds chosen for different markets, the Korg chairman, Tsutomu Kato, and his son Seiki decided that their synthesizers should use the same sounds internationally.