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H. N. Family Foundation Chinese Art Initiative led by The Robert H.N. Ho Family Foundation Associate Curator Xiaoyu Weng, with the intent of cultivating dialogue about the advancement of technology and industrialization, violent border control, and allusions to the nature of life. [3]
New forms of Chinese art were heavily influenced by the New Culture Movement, which adopted Western techniques and employed socialist realism. The Cultural Revolution would shape Chinese art in the 20th century like no other event in history with the Four Olds destruction campaign. Contemporary Chinese artists continue to produce a wide range ...
Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
The concept of self-criticism is a component of some Marxist schools of thought, primarily that of Marxism–Leninism, Maoism and Marxism–Leninism–Maoism. The concept was first introduced by Joseph Stalin in his 1924 work The Foundations of Leninism [2] and later expanded upon in his 1928 work Against Vulgarising the Slogan of Self ...
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture , heritage, and history.
The Six principles of Chinese painting were established by Xie He in "Six points to consider when judging a painting" (繪畫六法, Pinyin:Huìhuà Liùfǎ) from the preface to his book The Record of the Classification of Old Painters (古畫品錄; Pinyin: Gǔhuà Pǐnlù) written circa 550 and refers to "old" and "ancient" practices.
The culture of the Ming dynasty was deeply rooted in traditional Chinese values, but also saw a flourishing of fine arts, literature, and philosophy in the late 15th century. During this time, the government played a stronger role in shaping culture, requiring the use of Zhu Xi 's interpretation of Neo-Confucianism in civil service examinations ...
Fang Lijun (Chinese: 方力钧; born 1963) is a Chinese artist based in Beijing. [1] He was born into a wealthy family with a high social status. In the 1990s, there was a cultural movement [2] in China referred to as Cynical Realism of which Fang Lijun was a member.