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Marilyn Jane Stokstad (February 16, 1929 – March 4, 2016) was an American art historian, educator, and curator.A scholar of medieval and Spanish art, Stokstad was Judith Harris Murphy Distinguished Professor of Art History Emeritus at the University of Kansas, and also served as director of the Spencer Museum of Art.
Smith, Cherise. “Fragmented Documents: Works by Lorna Simpson, Carrie Mae Weems, and Willie Robert Middlebrook at The Art Institute of Chicago.” Art Institute of Chicago Museum Studies 24, no. 2 (1999): 249. Stokstad, Marilyn and Michael W. Cothren. "The International Scene since 1950." In Art History. 4th ed. Vol. 2, 1111. Upper Saddle ...
By the 1960s, under the directorship of Marilyn Stokstad, the Museum of Art outgrew the space. In 1978, Helen Foresman Spencer, another female Kansas City collector, made a substantial gift to fund the construction of a new space, under the directorship of Charles C. Eldredge .
Created Date: 8/30/2012 4:52:52 PM
Stokstad is a Norwegian surname. Notable people with the surname include: Bjørn Stokstad; Marilyn Stokstad (1929–2016), American art historian; Ove Stokstad (1939–2018), Norwegian printmaker and jazz musician; Trygve Stokstad (1902–1979), Norwegian boxer
Marilyn Stokstad [43] American 1929–2016 Medieval and Spanish art Art historian, professor, author Z. S. Strother: American 20th and 21st-century Central and West African art history Professor of African Art at Columbia University: Deborah Swallow: English b. 1948 Indian art history Director of the Courtauld Institute of Art since 2004.
The krater was sold to the Metropolitan Museum of Art by Robert E. Hecht, an American antiquities dealer living in Rome, for US$1.2 million on November 10, 1972. [5] Hecht, who was accused of trafficking in illicit antiquities , claimed to have acquired the krater from Dikran Sarrafian, a Lebanese dealer, whose family had been in possession of ...
Frescoes dating from the 17th century BC using this technique have been found in the excavations of Akrotiri on the island of Santorini in Greece, changing our beliefs about art in prehistoric times. One of the first painters in the post-classical period to use this technique was the Isaac Master in the Upper Basilica of Saint Francis in Assisi .