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Greenlandic Inuit have a unique textile tradition intregrating skin-sewing, furs, and appliqué of small pieces of brightly dyed marine mammal organs in mosaic designs, called avittat. Women create elaborate netted beadwork collars. They have strong mask-making tradition and also are known for an art form called tupilaq or an "evil spirit object."
Though specific designs are placed separately across the body, they are treated as a single piece of artwork. [4] Uli designs on walls, or uli aja, are more likely to include depictions of human and animal forms. [5] In addition, a distinctive series of stippled white dots (ntupo) are often used to separate different designs or sections of the ...
There was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work. [8] In Rome, Nero and his architects used mosaics to cover some surfaces of walls and ceilings in the Domus Aurea, built 64 AD, and wall mosaics are also found at Pompeii and neighbouring sites. However it seems that ...
Hmong Textile Art consists of traditional and modern textile arts and crafts produced by the Hmong people. Traditional Hmong textile examples include hand-spun hemp cloth production, basket weaving, batik dyeing, and a unique form of embroidery known as flower cloth or Paj Ntaub in the Hmong language RPA .
Makapansgat pebble. The Makapansgat pebble or Makapansgat cobble (ca. 3,000,000 BP) is a pebble with natural chipping and wear patterns that make it look like a crude rendition of a human face, in fact at least two possible faces. [1] Some scholars argue that it is the oldest known manuport. [1] [2] [3] [4]
An alpana is usually created on flooring, generally directly on the ground. On this, a wet white pigment made of rice flour and water (or in some places, chalk powder and water) is used to outline the alpana, with the paint being applied by the artist's finger tips, a small twig, or a piece of cotton thread that is soaked in the dye, or fabric. [3]
The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
One thing that has changed since the beginning of house painting and present-day wall art is their styles. [citation needed] At the beginning of house painting, their symbols and patterns were often based on Ndebele's beadwork. The patterns were tonal and painted with the women's fingers. The original paint on the house was a limestone whitewash.