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Apr. 5—Mary Ertel of Vernon has been drumming for 30 years, first using her drum as a tool for healing at local hospitals and senior centers, before starting the Community Drum Circle at ...
This description is not of a drum circle in the sense that the term is commonly used. It is a drumming ceremony that takes place in a circle, but very different in content and form than a drum circle, more of an improvised community drumming jam. This type should probably be listed under shamanic or spiritual drumming and not under drum circles.
Hull's facilitated drum circles are specifically non culturally specific. Though African djembes may predominate, many other styles of drums and percussion are in evidence. The teaching at a facilitated drum circle is 'teaching without teaching' - participants are playfully encouraged to create their own in-the-moment rhythms and sounds.
Babatunde Olatunji, Healing Rhythms, Songs and Chants (1995, Olatunji Music) Love Drum Talk (1997, Chesky) Drums of Passion [Expanded] (2002) Olatunji Live at Starwood (2003) Recorded Live at the Starwood Festival 1997; Healing Session (2003, Narada) Circle of Drums (2005, Chesky) Historic Travel: cultural rhythms (2003, Village Drums of Freedom)
This document is the heart of the book, Healing Drum, African Wisdom Teachings. Diallo's international reputation came from his writings, including Healing Drum, as writing books is his destiny. Diallo said, "I don't want to be associated with a record company." [citation needed] Music and Multicultural Education
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2000 – Pulse: Music for Exploration Volume 2; 2000 – Rhythm and Drumming Vol.1 (Play along CD) 2001 – Rhythm & Drumming Vol. 2 (Play-along CD) 2004 – Revelation #9 [6] 2005 – Live on Earth (For A Limited Time Only) – Krishna Das (Triloka) 2006 – Drum the Ecstatic International Live; 2006 – The Yoga of Drum and Chant
Flute circles are one type of community music gathering. Other types include drum circles, community choirs, facilitated dance, and community orchestras.However, Mary Jane Jones argues in her thesis that flute circles have particular attributes not found in other types of community music gatherings: