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Songs performed included several that Cash had previously recorded for records such as The Holy Land and Hello, I'm Johnny Cash ("He Turned the Water Into Wine" and "Jesus Was a Carpenter", respectively), along with cover versions of the Larry Gatlin song "Help Me" (which is titled simply "Help" on this release) and "Follow Me" by John Denver.
The Ascension of Jesus (anglicized from the Vulgate Latin: ascensio Iesu, lit. 'ascent of Jesus') is the Christian belief, reflected in the major Christian creeds and confessional statements, that Jesus ascended to Heaven after his resurrection, where he was exalted as Lord and Christ, [1] [2] sitting at the right hand of God.
The music video for "Go to Hell, for Heaven's Sake" was directed by Stuart Birchall and released on 5 September 2013. [ 9 ] [ 10 ] The video depicts the band performing in a chapel alongside imagery intended to illustrate the song's lyrics, including "empty swings swaying back and forth, a pin piercing a voodoo doll, religious symbols, and a ...
The realm into which Jesus descended is called Hell, in long-established English usage, but is also called Sheol or Limbo by some Christian theologians to distinguish it from the Hell of the damned. [11] In Classical mythology, Hades is the underworld inhabited by departed souls, and the god Pluto is its ruler. Some New Testament translations ...
Two related, and often blended, concepts of heaven in Christianity are better described as the "resurrection of the body" as contrasted with "the immortality of the soul". In the first, the soul does not enter heaven until the Last Judgment or the " end of time " when it (along with the body) is resurrected and judged.
Ascension of Christ and Noli me tangere, c. 400, ivory, Milan or Rome, now in Munich.See below for a similar Ascension 450 years later.. New Testament scenes that appear in the Early Christian art of the 3rd and 4th centuries typically deal with the works and miracles of Jesus such as healings, the multiplication of the loaves or the raising of Lazarus. [3]
In the Book of Acts, the Ascension is situated on the fortieth day counting from the resurrection in the presence of eleven of his apostles, thereby putting a limit on the number of resurrection appearances, and effectively excluding Paul the Apostle's conversion experience from the bona fide resurrection appearances.
The song is a criticism of how public figures use religion, particularly the image of Jesus Christ, to portray themselves as being "better" than others, or as "martyrs". Chris Cornell specifically mentioned Jane's Addiction 's frontman Perry Farrell [ 9 ] as an influence on the song, explaining, "It became fashionable to be the sort of ...