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An altered dominant chord is, "a dominant triad of a 7th chord that contains a raised or lowered fifth and sometimes a lowered 3rd." [17] According to Dan Haerle, "Generally, altered dominants can be divided into three main groups: altered 5th, altered 9th, and altered 5th and 9th."
In jazz, the altered scale, altered dominant scale, or super-Locrian scale (Locrian ♭ 4 scale) is a seven-note scale that is a dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord , which are root, major third, and minor seventh ...
The altered dominant scale, also called the altered scale, is so named because all the scale members that can be altered relative to the basic dominant scale (the Mixolydian mode), without losing the dominant quality, are altered. The scale includes both altered fifths (♭ 5 and ♯ 5) and both altered ninths (♭ 9 and ♯ 9).
In classical harmony, the chord is rarely seen spelled as a seventh chord and is instead most commonly found as the enharmonically equivalent French sixth chord. In jazz harmony, the dominant seventh flat five may be considered an altered chord, created by lowering the fifth of a dominant seventh chord, and may use the whole-tone scale, [1] as ...
Pages in category "Altered chords" The following 4 pages are in this category, out of 4 total. ... Altered chord; D. Dominant seventh flat five chord;
An extended dominant chord is a secondary dominant seventh chord that resolves down by a fifth to another dominant seventh chord. A series of extended dominant chords continues to resolve downwards by the circle of fifths until it reaches the tonic chord. The most common extended dominant chord is the tertiary dominant, [citation needed] which ...
In this case, the chord is viewed as a C major seventh chord (CM 7) in which the third note is an augmented fifth from root (G ♯), rather than a perfect fifth from root (G). All chord names and symbols including altered fifths, i.e., augmented (♯ 5, +5, aug5) or diminished (♭ 5, o 5, dim5) fifths can be interpreted in a similar way.
Dominant seventh chords are often built on the fifth scale degree (or dominant) of a key. For instance, in the C major scale, G is the fifth note of the scale, and the seventh chord built on G is the dominant seventh chord, G 7 (shown above). In this chord, F is a minor seventh above G.