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  2. TTM 57 SL - Wikipedia

    en.wikipedia.org/wiki/TTM_57_SL

    Rane and their software partner Serato, also known as Serato Scratch Live, teamed up together to create the TTM 57SL from Rane's prior TTM 56 disc jockey DJ mixer. The unique feature of this DJ mixer is that Serato and Rane brought their respective software and mixer hardware to create a hybrid mixer integrating two products into one, thus ...

  3. Scratch Live - Wikipedia

    en.wikipedia.org/wiki/Scratch_Live

    Scratch Live is a vinyl emulation software application created by New Zealand–based Serato Audio Research, distributed by and licensed exclusively to Rane Corporation. Serato was first known for its Pro Tools plug-in, Pitch N Time , which was sold predominantly to the film industry.

  4. Rane Corporation - Wikipedia

    en.wikipedia.org/wiki/Rane_Corporation

    Rane Corporation is an American pro audio equipment manufacturer. Located in Mukilteo , Washington , it was made up of former employees of Phase Linear Corporation, and started out with products aimed at small live bands .

  5. xwax - Wikipedia

    en.wikipedia.org/wiki/Xwax

    An external decoder also allows you to play what ever digital audio encoding you wish to use. MIDI controller support 1.2 was the first version to introduce midi controller support, allowing the user to manipulate cue points with the Dicer DJ controller from Novation [13] A fully scalable UI that makes xwax suitable for high resolution displays ...

  6. DJ controller - Wikipedia

    en.wikipedia.org/wiki/DJ_Controller

    However, DJ controllers are much cheaper than two turntables or CDJs plus a mixer. Indeed, the average price of a DJ controller is around $800. [ 4 ] Unlike turntables, controllers can take advantage of the flexibility of computer software, for example, by allowing the DJ to store multiple cue points with music files.

  7. Twelve-inch single - Wikipedia

    en.wikipedia.org/wiki/Twelve-inch_single

    Twelve-inch singles typically have much shorter playing time than full-length LPs, and thus require fewer grooves per inch. This extra space permits a broader dynamic range or louder recording level as the grooves' excursions (i.e., the width of the groove waves and distance traveled from side to side by the turntable stylus) can be much greater in amplitude, especially in the bass frequencies ...