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metallic tripod (or easel) stand: usually has 3 or 4 metallic legs that are linked together at one extremity. A support board is attached to two of these legs to support the large paper pad. This is the most common type of flip chart stand.
Easel painting is a term in art history for the type of midsize painting that would have been painted on an easel, as opposed to a fresco wall painting, a large altarpiece or other piece that would have been painted resting on a floor, a small cabinet painting, or a miniature created while sitting at a desk, though perhaps also on an angled ...
Then, a metal ring was fitted over this and secured with a pin. The ring was attached to a long, thin pole (the whipstaff proper) and this pole connected the tiller to the helmsman one or more decks above it through a pivot point, roll, or rowle , described as "that round piece of wood or iron wherein the whip doth go and is made turn about ...
An easel is used to hold the paper perfectly flat. Some easels are designed with adjustable overlapping flat steel "blades" to crop the image on the paper to the desired size while keeping an unexposed white border about the image. Paper is sometimes placed directly on the table or enlarger base, and held down flat with metal strips.
A tripod is a portable three-legged frame or stand, used as a platform for supporting the weight and maintaining the stability of some other object. The three-legged (triangular stance) design provides good stability against gravitational loads as well as horizontal shear forces, and better leverage for resisting tipping over due to lateral forces can be achieved by spreading the legs away ...
A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...