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A further variation is a particularly strong pizzicato where the string is plucked vertically by snapping and rebounds off the fingerboard of the instrument. This is known as snap pizzicato or Bartók pizzicato, after one of the first composers to use it extensively (e.g. in the 4th movement of his Fourth String Quartet, 1928).
In percussion this notation denotes, among many other specific uses, to close the hi-hat by pressing the pedal, or that an instrument is to be "choked" (muted with the hand). Snap pizzicato On a stringed instrument, a note played by stretching a string away from the frame of the instrument and letting it go, making it "snap" against the frame.
Nail pizzicato is another technique invented and used extensively by Bartók. To perform a nail pizzicato, the performer plucks the string with only the fingernail (in standard string performance technique the player uses the pad of the finger). The resulting sound is a bit more harsh and metallic.
A snap pizzicato, first specified by Gustav Mahler, but often called a Bartók pizzicato since Béla Bartók was the first to use the technique extensively, requires the player to pull the string away from the fingerboard so that when it is released it rebounds with force onto the fingerboard, yielding a sharp, percussive snapping sound.
snap pizzicato, in which a string is pulled away from the fingerboard until it snaps back and strikes the fingerboard. string scrapes, a technique especially associated with electric guitar and electric bass, as played with a pick. percussive effects, such as drumming on a string instrument body; palm and finger muting ("pizzicato")
pizzicato Pinched, plucked (i.e. in music for bowed strings, plucked with the fingers as opposed to played with the bow; compare arco, which is inserted to cancel a pizzicato instruction; in music for guitar, to mute the strings by resting the palm on the bridge, simulating the sound of pizz. of the bowed string instruments) plop
Sofia Gubaidulina, in her Sonata, instructs the pianist to use nontraditional sounds: sounds produced by a glissando performed with a bamboo stick on the piano pegs against a cluster performed on the keyboard; a "buzzing" sound created by placing the bamboo stick on vibrating strings; pizzicato effects produced by plucking the strings ...
Common Music Notation (CMN) is open-source musical notation software. It is written in Common Lisp and runs on a variety of operating systems and Common Lisp implementations. CMN provides a package of functions to hierarchically describe a musical score. When evaluated, the musical score is rendered to an image.