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The Colossus (painting) The Cornell Farm; Cow tools; Cow Wallpaper; The Cow with the Subtile Nose; Cow's Skull: Red, White, and Blue; Cowboys and Herds in the Maremma; A Cowherd at Valhermeil, Auvers-sur-Oise; The Cows (painting) Cows and Groomers; Cows in a River; Cows in the Meadow; Cretan Bull
The style of the painting is deliberately primitive; the large cow occupies most of the canvas, in a greenish background, which seems to represent her pasture. The cow appears unusually large, in a brownish-yellow colour. Her eyes and nose seems also very big. The title of the painting is an ironic reference to that particular feature. [4]
He is known for his paintings depicting cows (and occasionally sheep [3]) in summer environments. [ 3 ] [ 4 ] Craig's landscapes often featured meadows and streams. [ 4 ] The animals in his earlier paintings did not take up a large part of the canvas compared to the surrounding landscapes; in his later paintings, however, the animals were drawn ...
The painting was made by van Gogh during his stay in Auvers-sur-Oise, with Doctor Gachet. It is a copy, like van Gogh made many, of a study by Jacob Jordaens exhibited at the Palais des Beaux-Arts in Lille. The painting was not copied directly, but from an etching by Doctor Gachet from 1873, signed with his artist name, Paul van Ryssel.
It depicts a cow skull centered in front of what appears to be a cloth background. In the center of the background is a vertical black stripe, surrounded by two vertical stripes of white laced with blue. Outside are two vertical red stripes. O'Keeffe created the 39 7/8 x 35 7/8-inch (101.3 x 91.1 cm) oil painting on canvas in 1931.
Morning Light is a 1916 painting by the Australian artist Elioth Gruner. The painting depicts a small herd of dairy cows in a grassy field in the morning with a man, the farmer, in the foreground. Hailed as the high point of [his] Emu Plains series" and "one of his greatest masterpieces", Morning Light was awarded the Wynne Prize in 1916. [1]
One of the finest landscape painters of his day, he is mainly associated with pictures of cattle or sheep, [5] a fact that earned him the epithet "Cow Cooper". [8] Cooper collaborated between 1847 and 1870 with Frederick Richard Lee R.A. on several paintings, Lee undertaking the landscapes, and Cooper adding animals to complete the scene. [9]
The painting depicts frequent subjects of Cuyp's, cows, and was painted prior to the artist's decamping for Rhineland. The canvas shows a group of five cows near the margin of a river, from which only one appears drinking. Several sailing boats are seen, at the right, in the distance. The cloudy sky shows also several birds in their flight. [1]