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He taught at the Worcester Art Museum (1936–38) and the University of Iowa School of Art and Art History (1938–41) while pursuing his degree. In 1941 he married Dora Jane Heineberg (1916–2002), an art history student at Radcliffe College who later collaborated with him as co-author, and he became a citizen in 1943.
A documentary film by John Scoular, Marcus Jansen Examine and Report, had its world premiere at the Fort Myers Film Festival, [4] and was awarded Best Art TV Pilot Documentary by the East Hampton TV Festival. [5] The film is available on Amazon Prime Video.
Art and Illusion; Art by Women in Florence; Art Deco Architecture: Design, Decoration and Detail from the Twenties and Thirties; Art Deco of the 20s and 30s; Art in the San Francisco Bay Area (book) Art: A History of Painting, Sculpture, and Architecture; Artists in biographies by Filippo Baldinucci; Arts of Mankind; The Automatic Message
Janson is the name given to a set of old-style serif typefaces from the Dutch Baroque period, and modern revivals from the twentieth century. [1] [2] [3] Janson is a crisp, relatively high-contrast serif design, most popular for body text.
[6] His great work is his Geschichte des deutschen Volkes seit dem Ausgang des Mittelalters (8 vols., Freiburg, 1878–1894), first suggested by Böhmer in 1853. He argues against Luther, Zwingli and the other Protestant reformers, and claimed that Protestantism was responsible for the general unrest in Germany during the 16th and 17th centuries.
Janson put together a group of small, tightly composed interior paintings and suburban landscapes manifestly inspired by Vermeer in which the artist updated the Dutch painter's motifs of contemporary life. A Roman art dealer organized Janson's first solo show in 1980 which introduced his work to the Italian art public.
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