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The rest of the Planet Express staff infiltrate the Central Bureaucracy in order to recover Bender’s mind. After bypassing several employees and security systems, the crew learns that Bender's brain is in one of an enormous pile of pneumatic tube capsules. Hermes, who has regained his love of bureaucracy, and LaBarbara return from Spa 5.
"The Six Million Dollar Mon" is the seventh episode in the seventh season of the American animated television series Futurama, and the 121st episode of the series overall. It originally aired on Comedy Central on July 25, 2012. The episode was written by Ken Keeler and directed by Peter Avanzino.
The bureaucrat's offices are laid out in reference to a Rubik's Cube (pictured).. From June 8 to June 15, as part of its 2010 "Countdown to Futurama" event, Comedy Central Insider, Comedy Central's news outlet, released various preview materials for the episode, including a storyboard of Bender's and Hermes' entry into the Central Bureaucracy and character designs for the war reenactment ...
Writer Ken Keeler was nominated for an Emmy Award in 2004 for "Outstanding Music and Lyrics" for the song "I Want My Hands Back" and for an Annie Award for "Music in an Animated Television Production". [4] [7] The episode was ranked number 16 on IGN's list of the top 25 Futurama episodes in 2006. [8]
"Where the Buggalo Roam" is the tenth episode in the third season of the American animated television series Futurama, and the 42nd episode of the series overall. It originally aired on the Fox network in the United States on March 3, 2002. The title is a pun on a lyric from the classic Western folk song "Home on the Range".
The second season of Futurama began airing on November 21, 1999 and concluded after 19 episodes on December 3, 2000. Halfway through the season on February 6, 2000, Fox moved the show from its original timeslot of 8:30pm (following The Simpsons) to 7pm. [1]
Monet, 34, took Us back to 2010 while singing “Chicago,” a song that her Victorious character, Trina Vega, performed during season 1 of the show. “This is the kind of energy we’re taking ...
As the song ends, Fry and Leela arrive and try to reason with the Robot Devil on Bender's behalf. The Robot Devil tells them that the only way to win back Bender's soul is to beat him in a fiddle-playing contest, as required under the "Fairness in Hell Act of 2275". The Robot Devil goes first, playing Antonio Bazzini's "La Ronde des Lutins ...