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The interior and furniture of the gallery were designed by the Belgian architect Henry van de Velde, one of the pioneers of Art Nouveau architecture. The Maison de l'Art Nouveau showed paintings by Georges Seurat, Paul Signac and Toulouse-Lautrec, glass from Louis Comfort Tiffany and Émile Gallé, jewellery by René Lalique, and posters by ...
Our guide to Art Nouveau architecture explores the late 19th-century movement known for flowing lines and organic forms and how it influenced the culture.
It was precisely in the latter that, according to Roiter, the most important laboratory of art nouveau sculpture related to architecture was developed—sculpture that, as in the case of architecture, merged in a more or less accentuated way with eclectic and art deco themes. As with the palaces, the Milanese bourgeoisie of the time found in ...
The Art Nouveau movement of architecture and design flourished in Paris from about 1895 to 1914, reaching its high point at the 1900 Paris International Exposition. with the Art Nouveau metro stations designed by Hector Guimard.
The Vienna Secession (German: Wiener Secession; also known as the Union of Austrian Artists or Vereinigung Bildender Künstler Österreichs) is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt. [1]
Art Nouveau developed from, but was also as a reaction against, Eclecticism and different Revivalist styles. Like Art Nouveau elsewhere, its development was driven by a desire to create an individualistic style less dependent on obvious historical references, a wish to express local traits and traditions, and a move towards a rational architecture based on an 'honest' use of materials and ...
The architecture of Paris created during the Belle Époque, between 1871 and the beginning of the First World War in 1914, was notable for its variety of different styles, from neo-Byzantine and neo-Gothic to classicism, Art Nouveau and Art Deco. It was also known for its lavish decoration and its imaginative use of both new and traditional ...
He transposed the characteristics of his silverware, dishes, and furniture into the architecture. Van de Velde left off the curling vegetal lines of Art Nouveau decoration and replaced them with much simpler, more stylized curves which were part of the structure of his buildings and decorative works.