Ads
related to: aubusson tapestry fabric
Search results
Results From The WOW.Com Content Network
Felletin is identified as the source of the Aubusson tapestries in the inventory of Charlotte of Albret, Duchess of Valentinois and widow of Cesare Borgia (1514). [4] The workshops were given a royal charter in 1665, but came into their own in the later 18th century, with designs by François Boucher, Jean-Baptiste Oudry and Jean-Baptiste Huet, many of pastoral rococo subjects. [5]
Design for a Baumgarten Tapestry in the 1890s. In the 19th century, the most important producer of tapestries in the world was the city of Aubusson, in France.It was there that Mr. Baumgarten found the Foussadier family who were taken to New York City to work in his company. [2]
Aubusson tapestry still thrives today, preserving a range of traditional skills. In 1983, l’Atelier Raymond Picaud chose Burhan Doğançay's Ribbon Series as a tapestry subject. Coventry cathedral's famous Christ in Glory tapestry, designed by artist Graham Sutherland, was woven in nearby Felletin. Installed in 1962, this was the world's ...
The word tapestry derives from Old French tapisserie, from tapisser, [9] meaning "to cover with heavy fabric, to carpet", in turn from tapis, "heavy fabric", via Latin tapes (gen: tapetis), [10] which is the Latinisation of the Greek τάπης (tapēs; gen: τάπητος, tapētos), "carpet, rug". [11]
The royal tapestry works of Gobelins, Aubusson and Beauvais continued to make large tapestries, but an increasing part of their business was the manufacture of upholstery for the new sets of chairs, sofas and other furnishings for the royal residences and nobility.
The Pastoral Amusements, (French: Les Amusements champêtres) is a series of tapestries designed between 1720 and 1730 [1] by Jean-Baptiste Oudry for Noël-Antoine de Mérou, then director of the Royal Beauvais Tapestry Manufactory. The first production of the designs took place at Beauvais in 1731. [2]