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Felletin is identified as the source of the Aubusson tapestries in the inventory of Charlotte of Albret, Duchess of Valentinois and widow of Cesare Borgia (1514). [4] The workshops were given a royal charter in 1665, but came into their own in the later 18th century, with designs by François Boucher, Jean-Baptiste Oudry and Jean-Baptiste Huet, many of pastoral rococo subjects. [5]
Cuttoli commissioned tapestry cartoons from Georges Braque, Fernand Léger, Joan Miró, and Pablo Picasso in 1927. [3] The following year, she turned her attention to reviving the Aubusson tapestry industry. [1] She encouraged additional avant-garde artists of the time to weave tapestries based upon their easel paintings. [10]
Aubusson is well known for its tapestry and carpets, which have been famous throughout the world since the 14th century. The origins of this craft date to the arrival of weavers from Flanders, who took refuge in Aubusson around 1580. There is a famous collection of Aubusson tapestries at Vallon-Pont-d'Arc. The style of the tapestries produced ...
The Pastoral Amusements, (French: Les Amusements champêtres) is a series of tapestries designed between 1720 and 1730 [1] by Jean-Baptiste Oudry for Noël-Antoine de Mérou, then director of the Royal Beauvais Tapestry Manufactory. The first production of the designs took place at Beauvais in 1731. [2]
As a painter to the King, he created several designs for tapestries, including a few on the history of Achilles, that were woven at the Aubusson manufactory. [2] Some are kept at the Hospices de Beaune, along with miniatures depicting scenes from the life of Christ. A series on Ulysses may be seen at the Château de Villemonteix .
Jean Bérain the Elder, the royal draftsman and designer of the King, created a series of grotesque carpets for Aubusson. These tapestries sometimes celebrated contemporary themes, such as a late 17th to early 18th century tapestry done by Aubusson depicting Chinese astronomers at the Beijing Ancient Observatory using new more accurate ...