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A polymath [a] [1] or polyhistor [b] [2] is an individual whose knowledge spans many different subjects, known to draw on complex bodies of knowledge to solve specific problems. Polymaths often prefer a specific context in which to explain their knowledge but others can be gifted at explaining abstractly and creatively.
Leonardo da Vinci (April 15, 1452 – May 2, 1519) was an Italian Renaissance painter and polymath who achieved legendary fame and iconic status within his own lifetime. His renown primarily rests upon his brilliant achievements as a painter, as his Mona Lisa and The Last Supper are two of the most famous artworks ever created.
Leonardo di ser Piero da Vinci [b] (15 April 1452 – 2 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. [3]
The drawing is estimated to have been drawn c. 1510, possibly as a self-portrait by Leonardo da Vinci.In 1839, it was acquired by King Carlo Alberto of Savoy. [2] The assumption that the drawing is a self-portrait of Leonardo was made in the 19th century, based on the similarity of the sitter to the possible portrait of Leonardo as Plato in Raphael's The School of Athens [2] and on the high ...
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
The art historian Jill Burke was the first to trace the historical origins of the term High Renaissance.It was first coined in German by Jacob Burckhardt in German (Hochrenaissance) in 1855 and has its origins in the "High Style" of painting and sculpture of the time period around the early 16th century described by Johann Joachim Winckelmann in 1764. [2]
The prologue is by the Oxford University professor Martin Kemp, author of many books on the Renaissance polymath Leonardo da Vinci. He has been cited as a leading expert on the topic. [12] Leonardo's drawing of the Vitruvian Man, symbolising the unity of humanity and the cosmos, is the book's cover image. [13]
This article about the development of themes in Italian Renaissance painting is an extension to the article Italian Renaissance painting, for which it provides additional pictures with commentary. The works encompassed are from Giotto in the early 14th century to Michelangelo 's Last Judgement of the 1530s.