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The Other Love (1947) The Red House (1947) Song of Scheherazade (1947) Time Out of Mind (1947) Kiss the Blood Off My Hands (1948) The Naked City (1948); music also by Frank Skinner; Secret Beyond the Door (1948) A Woman's Vengeance (1948) Adam's Rib (1949); music also by Cole Porter; The Bribe (1949) Command Decision (1949) Criss Cross (1949 ...
In the 19th century, the madrigal was the best-known music from the Renaissance (15th–16th c.) consequent to the prolific publishing of sheet music in the 16th and 17th centuries, even before the rediscovery of the madrigals of the composer Palestrina (Giovanni Pierluigi da Palestrina).
The tuning and narrow range allow the player a number of simple chord shapes useful for both simple song accompaniment and dances, though much more complex music was also written for it. [3] Its bright and cheerful timbre make it a valuable counterpoint to gut-strung instruments. The Spanish bandurria, still used today, is a similar instrument.
Sheet music for popular tunes dating as far back as 1865. Items are scanned at 600 dpi and saved as a TIFF files. Mississippi State University: CHASE research project, University of Leeds, UK: 19th- and early 20th-century performing editions of string music 2,000 AHRC-funded research project containing music files viewable on-site or as downloads.
It contains words and full music for some 60 of the madrigals and songs of the English Madrigal School. When selecting works for this book, Ledger decided to represent the major composers of 16th-century English music such as William Byrd and Thomas Morley with several madrigals, alongside individual works by lesser-known composers.
Long String Instrument, (by Ellen Fullman, strings are rubbed in, and vibrate in the longitudinal mode) Magnetic resonance piano , (strings activated by electromagnetic fields) Stringed instruments with keyboards
Although the lute came in sizes, the Tenor was most popular. Similar instruments include the cittern, orpharion and bandora. The next most popular stringed instrument, made in sizes and played in consorts or alone, was the viola da gamba. The viol had six strings, and frets of gut tied around the neck, rather than embedded in the fingerboard.
An early form of the rebec is also referred to as the rubeba in a 13th century Moravian treatise on music. [7] Medieval sources refer to the instrument by several other names, including kit and the generic term fiddle. [8] A distinguishing feature of the rebec is that the bowl (or body) of the instrument is carved from a solid piece of wood.