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Toggle Stringed instruments with keyboards subsection. 5.1 Struck. 5.2 Plucked. 5.3 Bowed. 5.4 Other/hybrid. 6 Stringed instruments by country. 7 See also. 8 References.
("Ye Muses, the honour of Parnassus, the love of Heaven") Coro di ninfi e pastori Lasciate i monti, lasciate i fonti ("Leave the mountains, leave the fountains") In two sections, with an instrumental ritornello after each section Pastore primo (First shepherd) Ma tu, gentil cantor, s'a tuoi lamenti
In the 19th century, the madrigal was the best-known music from the Renaissance (15th–16th c.) consequent to the prolific publishing of sheet music in the 16th and 17th centuries, even before the rediscovery of the madrigals of the composer Palestrina (Giovanni Pierluigi da Palestrina).
Madrigals (released in the US as Love Songs for Madrigals and Madriguys) is the debut recording of the London-based a cappella group Swingle II, who were the immediate successors to the Paris-based Swingle Singers. The members were all new except for Ward Swingle who arranged and adapted the music for the group.
The tuning and narrow range allow the player a number of simple chord shapes useful for both simple song accompaniment and dances, though much more complex music was also written for it. [3] Its bright and cheerful timbre make it a valuable counterpoint to gut-strung instruments. The Spanish bandurria, still used today, is a similar instrument.
The string "courses", unlike those of a Renaissance lute or archlute, were often single, although double stringing was also used. Typically, theorbos have 14 courses, though some used 15 or even 19 courses . This is theorbo tuning in A. Modern theorbo players usually play 14-course (string) instruments (lowest course is G).
Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baroque music era and fiddles used in many types of folk music). All of the bowed string instruments can also be ...
An early form of the rebec is also referred to as the rubeba in a 13th century Moravian treatise on music. [7] Medieval sources refer to the instrument by several other names, including kit and the generic term fiddle. [8] A distinguishing feature of the rebec is that the bowl (or body) of the instrument is carved from a solid piece of wood.