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The tuning and narrow range allow the player a number of simple chord shapes useful for both simple song accompaniment and dances, though much more complex music was also written for it. [3] Its bright and cheerful timbre make it a valuable counterpoint to gut-strung instruments. The Spanish bandurria, still used today, is a similar instrument.
In the 19th century, the madrigal was the best-known music from the Renaissance (15th–16th c.) consequent to the prolific publishing of sheet music in the 16th and 17th centuries, even before the rediscovery of the madrigals of the composer Palestrina (Giovanni Pierluigi da Palestrina).
The bandolin is a 15-stringed musical instrument in Ecuador. It is used as a rhythm and melody instrument in the Andean region of Ecuador during festivals where dancing and music are involved. [ 1 ] It has a flat back and 15 strings in triple courses .
Long String Instrument, (by Ellen Fullman, strings are rubbed in, and vibrate in the longitudinal mode) Magnetic resonance piano , (strings activated by electromagnetic fields) Stringed instruments with keyboards
The string "courses", unlike those of a Renaissance lute or archlute, were often single, although double stringing was also used. Typically, theorbos have 14 courses, though some used 15 or even 19 courses . This is theorbo tuning in A. Modern theorbo players usually play 14-course (string) instruments (lowest course is G).
An early form of the rebec is also referred to as the rubeba in a 13th century Moravian treatise on music. [7] Medieval sources refer to the instrument by several other names, including kit and the generic term fiddle. [8] A distinguishing feature of the rebec is that the bowl (or body) of the instrument is carved from a solid piece of wood.
The most typical and traditional tuning of the five-string small kantele is just intonation arrived at via five-limit tuning, often in Dmajor or Dminor. This occurs especially if a kantele is played as a solo instrument or as a part of a folk music ensemble. The major triad is then formed by D 1 –F ♯ 1 –A 1. [4]
Rondalla Alginet, beginning 1900's. The rondalla has its origins in the folk playing bands from Spain that were forerunners of the present-day rondalla and included four types: groups of young men who played and sang regularly in front of homes, bands of musicians known as murza or murga who begged for alms, a group of musicians known as comparza who played on stage, and groups of university ...