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The Italian word for "echo"; an effect in which a group of notes is repeated, usually more softly, and perhaps at a different octave, to create an echo effect égal (Fr.) Equal eilend (Ger.) Hurrying ein wenig (Ger.) A little einfach (Ger.) Simple emporté (Fr.) Fiery, impetuous en animant (Fr.) Becoming very lively en cédant (Fr.) Yielding en ...
This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound reinforcement equipment, and recording gear and techniques which are widely used in jazz and popular music. Most of the terms are in English, but in some cases, terms from other languages are encountered (e.g. to do an "encore ...
urban street sport involving climbing and leaping, using buildings, walls, curbs to ricochet off much as if one were on a skateboard, often in follow-the-leader style. Originally a phonetic form of the French word parcours, which means "a run, a route" Also known as, or the predecessor to, "free running", developed by Sébastien Foucan. parole
In its typical specialized usage, the word chanson refers to a polyphonic French song of the late Middle Ages and Renaissance. [4] Early chansons tended to be in one of the formes fixes — ballade , rondeau or virelai (formerly the chanson baladée )—though some composers later set popular poetry in a variety of forms.
French music history dates back to organum in the 10th century, followed by the Notre Dame School, an organum composition style. Troubadour songs of chivalry and courtly love were composed in the Occitan language between the 10th and 13th centuries, and the Trouvère poet-composers flourished in Northern France during this period.
French playing is often thought of in terms of refinement, finesse, and elegance. However, during the 18th Century in Northern Europe, the cello was still considered a lowly and rudimentary instrument compared to the viola da gamba. The French cello school evolved due to the exquisite playing of Martin Berteau (circa 1700–71).
The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre. Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France.
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