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Benedict Bogeaus (May 4, 1904, in Chicago – August 23, 1968, in Hollywood), was an independent film producer and former owner of General Service Studios.
On Our Merry Way is a 1948 American comedy film produced by Benedict Bogeaus and Burgess Meredith and released by United Artists.At the time of its release, King Vidor and Leslie Fenton were credited with its direction, although the DVD lists John Huston and George Stevens, who assisted with one of the segments, as well.
From the Earth to the Moon is a 1958 American Technicolor science fiction film, produced by Benedict Bogeaus, directed by Byron Haskin, that stars Joseph Cotten, George Sanders, and Debra Paget. Production of the film originated at RKO Pictures, but when RKO went into bankruptcy, the film was acquired and released by Warner Brothers.
The Bridge of San Luis Rey is a 1944 drama film made by Benedict Bogeaus Productions and released by United Artists. It was produced and directed by Rowland V. Lee with Benedict Bogeaus as co-producer. The screenplay by Howard Estabrook and Herman Weissman was adapted from the 1927 novel The Bridge of San Luis Rey by Thornton Wilder.
The film was produced by Benedict Bogeaus who had previously made an episodic film On Our Merry Way. This involved using multiple stars in different storylines so they could be filmed at different times. In November 1946 Bogeaus announced that Raft, Scott and Brent would star.
The film was the first production from Inter-Continent Films and Inter-Continent Releasing, two companies formed by Benedict Bogeaus and James R. Grainger. They announced a series of films, including Jet Over the Atlantic, The Gold Bug, Shoot Out!, Early Autumn and The Glass Wall. [2]
Benedict Bogeaus: Starring: Merle Oberon Franchot Tone Thomas Mitchell Fay Bainter Elisha Cook, Jr. Cinematography: John J. Mescall Archie Stout: Edited by: James ...
Film critic Howard Thompson in The New York Times wrote: “Even with fairly thoughtful direction by Don Seigel, in addition to some nice raw photography throughout, this offering sacrifices substance of plain conviction for standardized suspense.” [4] Thompson attributes the film’s inadequacies to the screenplay by Doane H. Hoag and Karen DeWolf, which moves the action “along familiar ...