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In audio production, a stem is a group of audio sources mixed together, usually by one person, to be dealt with downstream as one unit. A single stem may be delivered in mono, stereo, or in multiple tracks for surround sound. [1] In sound mixing for film, the preparation of stems is a common stratagem to facilitate the final mix. Dialogue ...
In audio production, a stem is a discrete or grouped collection of audio sources mixed together, usually by one person, to be dealt with downstream as one unit. A single stem may be delivered in mono, stereo, or in multiple tracks for surround sound. [1] The beginnings of the process can be found in the production of early non-silent films.
A technique known as stem mixing and mastering relies on the use of busses to mix tracks down to stems for processing before mixing down to the stereo bus (also called "master channel" or "2-bus"). This usually reduces the amount of processing applied to the stereo bus and increases the control the engineer has over the dynamics and levels of ...
Stem (audio), a collection of audio sources mixed together to be dealt with downstream as one unit; Stem (music), a part of a written musical note; Stem mixing and mastering, a method of mixing audio material; The Stems, an Australian garage punk band "Stem" (DJ Shadow song), 1996 "Stem" (Ringo Sheena song), 2003
Pages in category "Audio mixing" The following 30 pages are in this category, out of 30 total. ... Stem mixing and mastering; T. TTM 57 SL; V. Venue (sound system) W.
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied ...
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Audio mixing for film and television is a process during the post-production stage of a moving image program by which a multitude of recorded sounds are combined. In the editing process, the source's signal level, frequency content, dynamics, and panoramic position are commonly manipulated and effects added.