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The 1998 Tony award winning Broadway play 'Art' employed a white monochrome painting as a prop to generate an argument about aesthetics which made up the bulk of the play. The 1995 Cesar award winning movie The Three Brothers featured a white monochrome painting by fictitious artist Whiteman (inspired by K. Malevich White on White masterpiece).
The following contemporary artists have gained recognition for their specific use of ballpoint pens; for their technical proficiency, imagination and innovations using ballpoint pens as an art medium. Korean artist Il Lee, living in America, has been creating large-scale ballpoint-only abstract artwork on paper since the early 1980s (see ...
IKB 79 is a painting by French artist Yves Klein, made in 1959. It is one of his monochrome series of around 200. It uses a shade of blue that he developed, International Klein Blue, based on the pigment ultramarine. The painting has the dimensions of 139.7 by 119.7 cm. It is held at the Tate Modern, in London. [1] [2]
As with many other bored students — artists or not — Mylne doodled in biro (as ballpoint pens are known in the UK) during secondary school. [4] Although he has spoken of original aspirations to be a painter and was still painting at the age of 18, [5] James had already begun giving ballpoint pens greater consideration as an art medium since he was 16, or "around 1996". [4]
[9] [10] The resulting exhibition, held in the Anita Chan Lia-ling Gallery at the Fringe Club in Hong Kong as part of the 2017 Art Basel, marked Hendry's first time working with colour and wax pencil. [11] The difference, the artist explains, is that "color is very difficult, because you've got to use multiple different colors to create one." [12]
While studying architecture, he drew a lot of pencil-based drawings followed by experimenting with rapidograph ink pens to develop his own art style. In 2014, after spending a considerable time looking at different mediums and drawing tools, he chose the ballpoint pen to produce his photorealistic works.
A focus on physicality is also manifest in the artists' use of material. Dansaekhwa artists' rejection of the flat and solid picture plane has led to a range of experiments that manipulate material to ascribe these supposed flat surfaces new forms of objecthood. Kim Guiline's repeated layers of paint on mulberry added dimensionality to the surface.
Kelly attended public school, where art classes stressed materials and sought to develop the "artistic imagination." This curriculum was typical of the broader trend in schooling that had emerged from the Progressive education theories promulgated by the Columbia University's Teacher's College, at which the American modernist painter Arthur Wesley Dow had taught. [1]