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The New York City Ballet logo uses FF DIN. [13] Identity of the 2008 London Design Festival. [14] FF DIN Condensed was formerly used as webfonts throughout the technology news site The Verge. [15] Posters for the film The Wolf of Wall Street use FF DIN. [16] The Swiss university ETH Zurich uses FF DIN Pro for posters, brochures and leaflets. [17]
Typeface Family Spacing Weights/Styles Target script Included from Can be installed on Example image Aharoni [6]: Sans Serif: Proportional: Bold: Hebrew: XP, Vista
DIN 1451 is a sans-serif typeface that is widely used for traffic, administrative and technical applications. [1]It was defined by the German standards body DIN (Deutsches Institut für Normung, 'German Institute for Standardisation', pronounced like the English word din) in the standard sheet DIN 1451-Schriften ('typefaces') in 1931. [2]
Samples of Monospaced typefaces Typeface name Example 1 Example 2 Example 3 Anonymous Pro [1]Bitstream Vera Sans Mono [2]Cascadia Code: Century Schoolbook Monospace
A sample gallery of many of the fonts from the CMU (Computer Modern Unicode) font family. Knuth produced his original Computer Modern fonts using Metafont, a program that reads stroke-based definitions of glyphs and outputs ready-to-use fonts as bitmap image files.
Aptos, originally named Bierstadt, is a sans-serif typeface in the neo-grotesque style developed by Steve Matteson. [3] It was released in 2023 as the new default font for the Microsoft Office suite, replacing the previously used Calibri font.
The Bauer Bodoni typeface, with samples of the three of the fonts in the family: Roman (or regular), bold, and italic.. In metal typesetting, a font (American English) or fount (Commonwealth English) is a particular size, weight and style of a typeface, defined as the set of fonts that share an overall design.
Univers (French pronunciation: ⓘ) is a sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. [1] Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths.