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The Arts of Islam, Arts Council of Great Britain, 1976, ISBN 0-7287-0081-6; Mason, Robert B. (1995). "New Looks at Old Pots: Results of Recent Multidisciplinary Studies of Glazed Ceramics from the Islamic World". Muqarnas: Annual on Islamic Art and Architecture. XII. Brill Academic Publishers. ISBN 90-04-10314-7.
Some pieces imitate earthenware, by painting a decoration on a white slipware. Others use cassiterite instead of tin in the glaze, which causes alterations, which the Susa soil, quite acidic, favors: the glazes turn gray after prolonged burial. Tripod jug, 8th - 9th centuries, Clay ceramic, decoration painted on clouded glaze, Louvre (MAO S.524).
Bowl with couple in a garden, around 1200. In this type of scene, the figures are larger than in other common subjects. Diameter 18.8 cm. [1] Side view of the same bowl Mina'i ware is a type of Persian pottery, or Islamic pottery, developed in Kashan in the decades leading up to the Mongol invasion of Persia and Mesopotamia in 1219, after which production ceased. [2]
Islamic art has very notable achievements in ceramics, both in pottery and tiles for walls, which in the absence of wall-paintings were taken to heights unmatched by other cultures. Early pottery is often unglazed, but tin-opacified glazing was one of the earliest new technologies developed by the Islamic potters.
An exhibition at the Emirates Palace in Abu Dhabi in 2008 was, at the time, the largest exhibition of Islamic art ever held. [8] The Wall Street Journal has described it as the greatest collection of Islamic Art in existence. [4] According to Edward Gibbs, Chairman of Middle East and India at Sotheby's, it is the best such collection in private ...
The Museum of Islamic Art (MIA; Arabic: متحف الفن الاسلامى) in Cairo, Egypt is considered one of the greatest museums in the world, with its exceptional collection of rare woodwork and plaster artefacts, as well as metal, ceramic, glass, crystal, and textile objects of all periods, from all over the Islamic world.
A dish with epigraphic decoration is an Islamic ceramic characteristic of the art developed in eastern Iran and Transoxiana around the 10th century, mainly during the Samanid dynasty (819-1005). The dish was presented to the Louvre Museum , by Alphonse Kann in 1935.
Chinese influences on Islamic pottery cover a period starting from at least the 8th century CE to the 19th century. [1] [2] The influence of Chinese ceramics on Islamic pottery has to be viewed in the broader context of the considerable importance of Chinese culture on Islamic arts in general. [3]