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In the same way, Islamic restrictions greatly discouraged figurative wall painting, encouraging the architectural use of schemes of decorative and often geometrically patterned titles, which are the most distinctive and original speciality of Islamic ceramics. Cup with stylized bouquet, 9th century, Iraq.
Islamic art has very notable achievements in ceramics, both in pottery and tiles for walls, which in the absence of wall-paintings were taken to heights unmatched by other cultures. Early pottery is often unglazed, but tin-opacified glazing was one of the earliest new technologies developed by the Islamic potters.
Some pieces imitate earthenware, by painting a decoration on a white slipware. Others use cassiterite instead of tin in the glaze, which causes alterations, which the Susa soil, quite acidic, favors: the glazes turn gray after prolonged burial. Tripod jug, 8th - 9th centuries, Clay ceramic, decoration painted on clouded glaze, Louvre (MAO S.524).
An exhibition at the Emirates Palace in Abu Dhabi in 2008 was, at the time, the largest exhibition of Islamic art ever held. [8] The Wall Street Journal has described it as the greatest collection of Islamic Art in existence. [4] According to Edward Gibbs, Chairman of Middle East and India at Sotheby's, it is the best such collection in private ...
[7] [8] In Islamic culture, the patterns are believed to be the bridge to the spiritual realm, the instrument to purify the mind and the soul. [9] David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation."
The Museum of Islamic Art (MIA; Arabic: متحف الفن الاسلامى) in Cairo, Egypt is considered one of the greatest museums in the world, with its exceptional collection of rare woodwork and plaster artefacts, as well as metal, ceramic, glass, crystal, and textile objects of all periods, from all over the Islamic world.
The museum aims to illustrate the evolution of Islamic pottery, tracing the development from the early, closely related Umayyad and Abbasid examples to the later, more intricate and colourful pieces such as Iznik tiles. This progression highlights the increasing sophistication and regional diversification of Islamic ceramic art. [19]
A dish with epigraphic decoration is an Islamic ceramic characteristic of the art developed in eastern Iran and Transoxiana around the 10th century, mainly during the Samanid dynasty (819-1005). The dish was presented to the Louvre Museum, by Alphonse Kann in 1935. [1]