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Made the world premiere recording of the two-piano arrangement of Grieg's Concerto in A minor, written by Grieg and Károly Thern. Also the first recording of Grieg's piano version of the "Homage March" from Sigurd Jorsalfar. [14] They have recorded the piano duet version of Chopin's 2nd Piano Concerto in F minor (arr. Chopin and Carl Mikuli ...
[4] Liszt's request was not fulfilled and the two episodes were published separately. The waltz was conceived as both an orchestra and a piano work. Three versions, orchestral , piano duet (S.599/2) and piano solo, (S.514), all date more or less from the same period (1859–62). The piano duet version is a straightforward transcription of the ...
Paganiana: variations for piano four-hands (1968) [1] Emmanuel Chabrier (1841–1894) Pas redoublé (Cortège burlesque) (1881) Prélude et marche française (1885) Souvenirs de Munich, Quadrille sur les thèmes favoris de Tristan et Isolde de Richard Wagner (1887) Muzio Clementi (1752–1832) 3 Duets, Op. 3, No. 1-3 (1779) Duet, Op. 6, No. 1 ...
In 1878–1879, César Cui, Anatoly Lyadov, Borodin, Nikolai Rimsky-Korsakov, and Nikolai Shcherbachov each wrote variations for piano duet on the theme, published together under the title Paraphrases. [3] A supplementary paraphrase by Franz Liszt was later appended to the collection. In Borodin's version, the first four bars begin in a similar ...
Haydn's piano trios are essentially piano sonatas with the violin and cello playing mostly supporting roles, doubling the treble and bass lines of the piano score. But Mozart gives the strings an independent role, using them as a counter to the piano, and adding their individual voices to the chamber music conversation.
The latter is more often referred to as a piano duo. [3] The piano duet came to popularity in the second half of the 18th century. Mozart played duets as a child with his sister, and later wrote sonatas for four hands at one piano; Schubert was another composer who composed for the genre, notably with his Fantasy in F minor, D. 940.
The orchestral rhapsodies numbered 1–6 correspond to the piano solo versions numbered 14, 2, 6, 12, 5 and 9 respectively. In 1874, Liszt also arranged the same six rhapsodies for piano duet (S.621). In 1882 he made a piano duet arrangement of No. 16 (S.622), and in 1885 a piano duet version of No. 18 (S.623) and No. 19 (S.623a).
Listed by Louise Chopin; Variations on an Irish National Air (from Thomas Moore) for 2 pianos, composed 1826. Stated to be "in D Major or B minor." Waltz for piano in C major, composed 1826. Andante dolente for piano in B ♭ minor, composed 1827. Mentioned in the list of Louise Chopin; Ecossaise for piano in B ♭ major, composed 1827 ...