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Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. [1] They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling. [2]
The Penguin Dictionary of Literary Terms and Literary Theory. Penguin Books, 2000. ISBN 0-14-051363-9. Dana Gioia. The Longman Dictionary of Literary Terms: Vocabulary for the Informed Reader. Longman, 2005. ISBN 0-321-33194-X. Sharon Hamilton. Essential Literary Terms: A Brief Norton Guide with Exercises. W. W. Norton, 2006. ISBN 0-393-92837-3.
Sonnet 61 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Structure
Rhian Williams asserts, "In literary value Shakespeare's sonnets are notably unequal. Many reach levels of lyric melody and meditative energy that are hardly to be matched elsewhere in poetry". [ 4 ] His 57th sonnet is such a one and epitomises Shakespeare's signature sonnet structure as it conveys the influences of the 14th-century poet ...
Shakespeare's Sonnet 58 is a syntactic and thematic continuation of Sonnet 57.More generally, it belongs to the large group of sonnets written to a young, aristocratic man, with whom the poem's speaker shares a tempestuous relationship.
In In Search of Shakespeare, he suggests that this sonnet might have nothing to do with the so-called Fair Youth sonnets, that it alludes to the death of the poet's son, Hamnet in 1596 at age 11, and that there is an implied pun on "sun" and "son": "Even so my sun one early morn did shine, with all triumphant splendour on my brow; but out ...
Langbaum’s first book, The Poetry of Experience: The Dramatic Monologue in Modern Literary Tradition (1957), takes issue with T. S. Eliot whom he admires as poet and critic. He objects, however, to Eliot’s redrawing of the literary tradition as beginning with the early seventeenth-century witty poets and the witty side of Shakespeare.
Sonnet 2 begins with a military siege metaphor, something that occurs often in sonnets and poetry — from Virgil (‘he ploughs the brow with furrows’) and Ovid (‘furrows which may plough your body will come already’) to Shakespeare's contemporary, Drayton, “The time-plow’d furrows in thy fairest field.” The image is used here as a ...