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Nampeyo firing pottery, 1901. Hopi people make ceramics painted with beautiful designs, and Nampeyo was eventually considered one of the finest Hopi potters. Nampeyo may have learned Hopi pottery making through the efforts of her father's mother, though her biographer Barbara Kramer believes this theory implausible. [5] [15]
Nampeyo, two birds design. Late pot, probably painted by Fannie circa 1920s. Woolaroc collection.. Fannie Nampeyo (1900–1987) (also known as Fannie Lesou Polacca and Fannie Nampeyo Polacca) was a modern and contemporary fine arts potter, who carried on the traditions of her famous mother, Nampeyo of Hano, the grand matriarch of modern Hopi pottery.
Migration pattern seed pot by Elva Nampeyo, c.1976. Elva Nampeyo was born 1926 in the Hopi-Tewa Corn Clan atop Hopi First Mesa, Arizona. [2] Her parents were Fannie Nampeyo and Vinton Polacca. [3] Her grandmother Nampeyo had led a revival of ancient traditional pottery and established a family tradition of pottery making. As a child Elva would ...
Dextra Quotskuyva Nampeyo (September 6, 1928 – February 2019) was a Native American potter and artist. She was in the fifth generation of a distinguished ancestral line of Hopi potters. In 1994 Dextra Quotskuyva was proclaimed an "Arizona Living Treasure," and in 1998 she received the first Arizona State Museum Lifetime Achievement Award. [1]
Priscilla Namingha Nampeyo (1924 - 2008) was a Hopi-Tewa potter who was known for her traditional pottery. Namingha mined her own clay and created her own pigments for her large pots. Her work is in the collection of several museums and cultural centers.
Daisy Hooee Nampeyo (1906 or 1910 - 1994 or 1998) was a Hopi-Tewa potter. She studied at École des Beaux-Arts. Hooee taught pottery making on the Zuni reservation and helped preserve the traditional techniques she learned from her grandmother, Nampeyo.