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Nu-disco is a 21st-century dance music genre associated with the renewed interest in 1970s and early 1980s disco, [134] mid-1980s Italo disco, and the synthesizer-heavy Euro disco aesthetics. [135] The moniker appeared in print as early as 2002, and by mid-2008 was used by record shops such as the online retailers Juno and Beatport. [ 136 ]
The term "Euro-disco" was first used during the mid-1970s to describe the non-UK based disco productions and artists such as D.D. Sound, West Germany groups Arabesque, [3] Boney M., [4] Dschinghis Khan and Silver Convention, the Munich-based production trio Giorgio Moroder, Donna Summer and Pete Bellotte, [5] the Italian singer Gino Soccio, [6] French artists Amanda Lear, Dalida, Cerrone, Hot ...
In the late 1970s, Eurodisco musicians such as Silver Convention and Donna Summer were popular in America. [7]In the 1980s, a highly polished production with "musical simplicity" at its core — from Bubblegum Pop-like lyrics, catchy (in some cases Italian, in other Eurodisco-like) melodies, to "elementary" song structures — an average British Eurobeat song took very little time to complete. [8]
Silver Convention represented Germany in the Eurovision Song Contest 1977 with "Telegram", finishing eighth. The entry had only English lyrics (with considerably more words than their past hits), but was allowed to enter in spite of the language rule being reintroduced this year, because the song had been chosen to represent Germany before the ...
Date of origin Locale of origin Electroacoustic music: Early 1940s Egypt Musique concrète: 1940s Egypt (Cairo), France Acousmatic music: Late 1940s France (Paris) Drone: 1960s United States: Dub: Late 1960s Jamaica Ambient: Late 1960s – early 1970s Germany, Jamaica, Japan, United Kingdom: Electronic rock: Late 1960s – early 1970s
Rochester went crazy for roller skating in the 1970s and '80s, and United Skates of America in Greece started it all.
In the mid-1970s, the soul-funk blend of dance pop known as disco took off in the mainstream pop charts in the United States and Europe, causing discothèques to experience a rebirth. Unlike many late-1960s clubs, which featured live bands, discothèques used the DJ's selection and mixing of records as the entertainment.
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